Saturday, 5 September 2015

Ringu

Ringu 
リング (1998)

Cast:

Nanako Matsushima, Hiroyuki Sanada, Rikiya Otaka, Miki Nakatani, Yuko Takeuchi, Hitomi Sato, Rie Ino, Masako Yoichi, Numata, Yutaka Matsushige and Katsumi Muramatsu.

Director: Hideo Nakata

Synopsis:
In this psychological horror story from Japan, a legend circulates among teenagers that if one watches a certain video at a certain time of the night, the telephone will ring right afterward, and one week later, you will die. When Masami tells her friend Imako this story, she scoffs -- but a week later, Imako dies in an auto accident. Imako's aunt, a television journalist named Reiko hears that not long before she died, Imako was watching a strange video with her friends -- all of whom have turned up dead. Reiko tracks down a copy of the video, and as she watches its strange, spectral images, the telephone begins to ring.... The next morning, Reiko begins a desperate search to solve the mystery of the video, convinced she has only seven days to live; assisting her is Ryuji a mathematics expert and her former husband. Ringu was a box-office success in its native Japan, and a surprise blockbuster in Hong Kong, where it became the biggest grossing film of the first half of 1999.



Review:
While there have been many slasher and monster films that shock us with excessive gore, few recent horror films actually create that overwhelming sense of terror that stays with us long after the film has finished. Japanese director Hideo Nakata’s Ring is a rare exception, making it one of the most frightening films since The Shining.
While investigating the sudden death of a group of students, reporter Reiko (Nanako Matsushima) discovers a cursed videocassette. Watching the video, she then receives a phone call telling her she will die in exactly a week. After having discovered that this is also how the students had died, Reiko reluctantly enlists the help of her ex-husband to track down the source of the tape rather than resorting to sudden surprises or gruesome effects. Start from here, Ring slowly builds in tension and dread by not only exploiting our fear of the unknown, but by exploiting the terror of everyday things taking on unfamiliar meanings.
The steady camera work, restrained performances, long silences and macabre sound design all combine to generate the nightmarish sensation of an uneasiness that cannot be explained, only experienced.
Refreshingly free of social metaphor or self-parody Ring is proudly content to simply be an incredibly scary film.





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